{"id":652,"date":"2013-06-03T21:59:05","date_gmt":"2013-06-03T20:59:05","guid":{"rendered":"http:\/\/www.evachoungfux.com\/?p=652"},"modified":"2013-07-10T13:56:52","modified_gmt":"2013-07-10T12:56:52","slug":"1973-tomorrow-aus-ed-var-ohne-nr","status":"publish","type":"post","link":"https:\/\/www.evachoungfux.com\/en\/1973-tomorrow-aus-ed-var-ohne-nr\/","title":{"rendered":"1973 – Tomorrow, aus Ed.Var. ohne Nr."},"content":{"rendered":"

Langholzstich
\n42 x 35
\n53 x 45
\nL\u00f6schdruckkarton<\/p>\n

Nach den Jahren in Japan zur\u00fcck in Wien, begann ich mit dem Stichel und auf Holz zu arbeiten. Birne, Linde, Ramin, Birkenverbundholz, waren bevorzugte H\u00f6lzer und ich entwickelte meine pers\u00f6nliche Arbeitsweise, den Langholzstich (\u201elong-grain\u201c; \u00fcblich ist es in Stirnholz \u201eend-grain\u201c zu stechen).
\nAuch hier blieb mir wichtig, das Prozesshafte am Zusammenspiel der Arbeitsschritte einzubauen. So entschied ich mich bald, anstelle der erwarteten Auflage einer Grafik, zur \u201eEdition Variable\u201c zur fortlaufenden Ver\u00e4nderung der Druckst\u00f6cke – zu Zyklen und Sequenzen. Nach Fertigstellung wurden die Druckst\u00f6cke meist abgehobelt.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Langholzstich 42 x 35 53 x 45 L\u00f6schdruckkarton Nach den Jahren in Japan zur\u00fcck in Wien, begann ich mit dem Stichel und auf Holz zu arbeiten. Birne, Linde, Ramin, Birkenverbundholz, waren bevorzugte H\u00f6lzer und ich entwickelte meine pers\u00f6nliche Arbeitsweise, den Langholzstich (\u201elong-grain\u201c; \u00fcblich ist es in Stirnholz \u201eend-grain\u201c zu stechen). Auch hier blieb mir wichtig, […]<\/p>\n","protected":false},"author":2,"featured_media":653,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-652","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-printings"],"yoast_head":"\n1973 - Tomorrow, aus Ed.Var. ohne Nr. - Eva Choung-Fux<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.evachoungfux.com\/en\/1973-tomorrow-aus-ed-var-ohne-nr\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1973 - Tomorrow, aus Ed.Var. ohne Nr. - Eva Choung-Fux\" \/>\n<meta property=\"og:description\" content=\"Langholzstich 42 x 35 53 x 45 L\u00f6schdruckkarton Nach den Jahren in Japan zur\u00fcck in Wien, begann ich mit dem Stichel und auf Holz zu arbeiten. Birne, Linde, Ramin, Birkenverbundholz, waren bevorzugte H\u00f6lzer und ich entwickelte meine pers\u00f6nliche Arbeitsweise, den Langholzstich (\u201elong-grain\u201c; \u00fcblich ist es in Stirnholz \u201eend-grain\u201c zu stechen). 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